Path 01
Seeing the Full Sounding
For the improviser, the physicality of producing sound (the hardware) is not a separate activity from the thoughts, emotions and ideas in music (the software). In the act of creation, there is a constant loop between the hierarchy of factors involved in the process. My … Read Chapter
Path 03
Entextualization and Preparation in Patterson’s Variations for Double-Bass
Introduction
Most composers of notation for improvisers are improvisers themselves. This is no coincidence. As composer-pianist and improvisation scholar Vijay Iyer has noted,
The most savvy composers writing for improvisors are those with personal experience as improvisors – those who possess an intimate understanding of … Read Chapter
Path 05
Say No Score: a Lexical Improvisation after Bob Ostertag
A Score can become a notch cut or line, an account kept, number of points made, set of twenty, a topic, piece of good fortune, worst in repartee, and much more. And not to forget a Partitura from the Latin Pars indicating both partial, direction … Read Chapter