References
...Andrew W. 1995. “Cecil Taylor, Identity Energy, and the Avant-Garde African American Body.” Perspectives of New Music 33 (1/2): 274–93. Beins, Burkhard. 2011. “Scheme and Event.” In Echtzeitmusik Berlin: Selbstbestimmung Einer Szene | Self-Defining a Scene, edited by Burkhard Beins,...
Chapter 02
A Treatise Remix Handbook
...pages of lines and shapes, clustered around a strong, almost continuous central line, which can be imagined as the lifeline of the reader, his center, around which all manner of activity takes place […] (Cardew 1971, 113) Any number of...
Chapter Ω
Chapter Ω
...and performed in a radio piece recorded on trains in the Czech Republic with sound artist Christina Kubisch. 4 Since October 2016 I have been pursuing an immersive sound project for the remodeled San Francisco airport. None of these projects...
Chapter 04
Invitation to Collaborate — Répondez s’il vous plaît!
...↺) → (S?) – fOKT IV-VI (2007-2009) and spukhafte Fernwirkung (2012) The central feedback loop that occurs in (P), (V → P → R ↺), has also occurred over the life of fORCH; the ensemble’s “collective spaces of possibility” (Beins...
Chapter 01
Seeing the Full Sounding
...by showing that physicality belongs to both practices, linking over-time and in-time processes in unexpected and fundamental ways. Such links stand to illuminate a dynamism central not only to Goldstein’s music, but to notation for improvisers as a whole....
Chapter 05
Say No Score: a Lexical Improvisation after Bob Ostertag
...of that community before temporarily leaving music and moving to central America for most of the 1980s (Ostertag 2009)). The bass and drums team had also worked together for several years with Braxton’s “classic quartet”, which included pianist Marilyn Crispell...