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Chapter 05

Say No Score: a Lexical Improvisation after Bob Ostertag

...a world language. Most music today is produced, distributed and heard through digital technology — computers, iPods and cell phones. Notes can be picked out on a keyboard and samples grabbed from existing recordings, then corrected, sequenced, layered and orchestrated...

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...continuum has been published in Open Space Magazine, The Improvisor, and Critical Studies in Improvisation, and has been presented at major universities and international conferences in North America, Europe, and India. A book chapter co-written with Mathias Maschat is forthcoming...

Chapter 02

A Treatise Remix Handbook

...It did not resolve the question above once and for all: I cracked no hidden code in the score, nor did I discover any magical thread uniting Treatise‘s performance history. Indeed making A Treatise Remix revealed far more about my...