References
...and Cultural Improvisation, edited by Elizabeth Hallam and Tim Ingold, 25–41. Oxford, New York: Berg. Barrett, Richard. 1999. Transmission. Suffolk: United Music Publishers. ———. 2002a. Blattwerk. Suffolk: United Music Publishers. ———. 2002b. “Blattwerk: Composition / Improvisation / Collaboration.” http://richardbarrettmusic.com/BlattwerkEssay.html. ———....
Chapter Ω
Chapter Ω
The End? Tactile Paths is modular in nature; as I mention in Chapter 0, its constituent chapters, or paths, can be traversed in any order. It might therefore seem odd to offer a conclusion, since readers are encouraged...
Chapter 02
A Treatise Remix Handbook
...It did not resolve the question above once and for all: I cracked no hidden code in the score, nor did I discover any magical thread uniting Treatise‘s performance history. Indeed making A Treatise Remix revealed far more about my...
Chapter 00
Chapter 0: The Ground
...and improvisation, not only in Berlin but throughout Europe. Scholarly Sources Among the sundry improvisation scholars referenced throughout the dissertation, I have returned to three more than others. Two are united by their arguments for a mobile theory of musical...
Chapter 03
Entextualization and Preparation in Patterson’s Variations for Double-Bass
...2015 was my thirty-fourth birthday, and also Flag Day in the United States. I wanted to present a robust, compact, sound-oriented performance. The 2014 performance felt a little too theatrical, or decorative. After performing it, I thought, “that is the...