...they play in the improvisations, how they deal with transitions, how literally they adhere to the notated material, and so on. While I had no clear idea of how this would actually sound, I hoped that this “eruption” would consist...

...1. Resources Commission by owners and developers: “Oceanic Properties, a subsidiary of the Hawaiian developer Castle & Cook, selected Halprin to oversee the master plan for a second-home community” (John-Alder 2014, 55). Team included cultural geographer Richard Reynolds (John-Alder 2014,...

...discursive partner to such a high degree. “Invitation to Collaborate...” and “Say No Score…“, written toward the end of the research process, do not deal directly with my own practice; rather, they part from perspectives developed through practice in earlier...

...work. This sequence comes reasonably close to representing what, in my experience, a critical performer might deal with when finding her way through the piece. Following my previous comments about the continuity between Patterson’s notation and performances, one might say...