References
...Andrew W. 1995. “Cecil Taylor, Identity Energy, and the Avant-Garde African American Body.” Perspectives of New Music 33 (1/2): 274–93. Beins, Burkhard. 2011. “Scheme and Event.” In Echtzeitmusik Berlin: Selbstbestimmung Einer Szene | Self-Defining a Scene, edited by Burkhard Beins,...
Chapter 04
Invitation to Collaborate — Répondez s’il vous plaît!
...response here based on the work of two artists and thinkers who have made the collective and political aspects of notation for improvisers a primary feature of their work: visionary American landscape architect Lawrence Halprin (1916-2009) and British composer-improviser Richard...
Chapter 00
Chapter 0: The Ground
...with the score be performances of the work. […] Not only must a score uniquely determine the classes of performance belonging to the work, but the score (as a class of copies or inscriptions that so define the work) must...
Chapter 02
A Treatise Remix Handbook
...realizations of p. 1 – Cardew directing the American premiere, QuaX Ensemble, and Art Lange – last respectively 4:30, 3:30, and 2:00. The number 34 at the beginning of p. 1, interpreted in all three versions as sustained chords, lasts...
About
...North American and European experimental music circuits, this work has been presented by VPRO Radio 6 (Holland), Deutschlandradio Kultur, the Museum of Contemporary Art Barcelona, and the American Documentary Film Festival. Williams’ artistic research on improvisation, notation, and his body-mind...